Taking materials from other sectors, rebranding or repackaging stories, and different means of appropriation remain controversial ethical dilemmas—brought about by exported raw materials, imported products, objectified narratives, and foreign productions. Issues about the Oscars sweep of Parasite (2019) might likewise be raised (cf Strike II in Cruz 2020): Are garnered awards an indictment of the filthy rich, or merely a celebration of brilliance and novelty of the cultural product?