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PNP reminded of constitutional rights amid remarks favoring pro-Marcos rallies on inauguration day

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By Jeline Malasig, June 14, 2022

Constitutional rights were stressed after the acting police chief said they would only allow rallyists supporting president-elect Ferdinand Marcos Jr. near his inauguration site on June 30.

Police Lt. Gen. Vicente Danao Jr., the officer-in-charge of the national police force until a new chief is named, was asked about their preparations for the upcoming ceremony on the National Museum grounds.

A reporter asked the question considering the venue’s proximity to the Mendiola and the Liwasang Bonifacio which are common rally grounds.

“Well, kung ang isisigaw mo naman eh ‘Mabuhay si Bongbong Marcos,’ edi ilalapit pa kita siguro, wala tayong problema roon. So sa mga nagra-rally at sinisigaw niyo na ‘Mabuhay ang bagong presidente’ edi okay, magsama-sama tayo diyan,” Danao answered in a press briefing on Monday.

He was also asked what the police would do if the protesters marched toward the inauguration site.

“Sabi ko nga, we all have the freedom of expression, tama ‘yan. Pero ‘pag it is for the government, wala po tayong problema diyan,” Danao said.

“But if you are pulling down the government, especially those who is needing it, e talagang medyo ano ‘yan. Although we have that right of expression, tama po ‘yan, pero we also have to respect. Kasi baka masira naman po natin ‘yung ano… ‘di ba?” he added.

Protesters against the president-elect have been claiming that the police force is using excessive force to disperse rallies on the ground.

The Philippine National Police said it was just doing its job.

Danao said they wanted the inauguration to go smoothly and added the rallyists should also look into themselves, not just supposedly invoke “human rights.”

“Eh kayo nga kapag nagsasalita kayo kung saan-saan, nire-respeto nga natin eh, tapos ‘pag ko-caution-an kayo, sasabihin niyo na naman, in the guise of human rights. Puro na lang tayo human rights, how about ‘yong human wrong na ginagawa ninyo? Okay?” he said.

Marcos will take his oath as president at the National Museum premises in Manila, which once housed the legislative building that protesters previously surrounded to oppose his father’s dictatorship.

Meanwhile, Danao’s comments raised some eyebrows among Twitter users who argued that people have the Constitutional right to express themselves and assemble.

“Huh??? Ano raw?? Papayagan if they are in support of the new admin??? Whether they are supportive or critical of the incoming admin, they MUST be allowed to express themselves. KARAPATAN nila ‘yon. Just because hindi pabor sa inyo ang mga nagra-rally doesn’t (mean) ganyan na agad,” a Filipino commented.

“Ano na ang nangyari sa redress of grievances?” another Twitter user responded to the acting police chief.

“Suppression to our right of expression and freedom of speech,” commented a different Filipino.

Another Twitter user said dissent “is a hallmark of democracy” in societies.

“Or are we not a democracy anymore?” the user wrote, responding to Danao’s comments.

Filipinos have the right to express themselves and address their concerns to the government regardless of any political affiliation.

This is enshrined in the 1987 Philippine Constitution—considered the highest law of the land—under Article III or the Bill of RightsSection 4 specifically states:

“No law shall be passed abridging the freedom of speech, of expression, or of the press, or the right of the people peaceably to assemble and petition the government for redress of grievances.”

The Public Assembly Act of 1985 also recognizes people’s right to assemble peacefully.

“To this end, the State shall ensure the free exercise of such right without prejudice to the rights of others to life, liberty and equal protection of the law,” it said.

The act also prohibits people from “obstructing, impeding, disrupting or otherwise denying the exercise of the right to peaceful assembly,” among others.

It likewise said that “law enforcement agencies shall not interfere with the holding of a public assembly” unless there are signs of violence.

Journalists to PNP: Nothing wrong with reporting on peasant rights, land issues

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Philstar.com, June 15, 2022

MANILA, Philippines — There is nothing wrong with reporting on peasant rights and other issues of public, journalists said after the Philippine National Police questioned the presence of media workers at a land cultivation activity in Tarlac.

Eleven journalists, including nine campus journalists, were among those arrested during a ‘bungkalan’ (land cultivation) activity at Hacienda Tinang in Concepcion town last week. They were nabbed despite identifying themselves as members of the press.

On Monday, Police Lt. Gen. Vicente Danao Jr., PNP officer-in-charge until a chief is appointed, questioned the presence of journalists there.

“Why are you with those militants? What is your purpose there? That’s my question for you… In the first place, if you went there, you’re already with those people,” he said.

In response, alternative media network Altermidya asked: “Why not?” 

Journalists were covering the launch of a farmers’ cultivation program in anticipation of their formal installation as agrarian reform benefeciaries. 

“The gathering was well within the farmers’ expression of their right to free assembly and speech, and more importantly, an assertion of their right to land that has been denied from them for almost three decades,” Altermidya said.

“When has it been wrong for the media to report on issues that involve peasant rights and public interest?”

Aside from covering government programs and social events, journalists also report about social issues such as land disputes and the agrarian reform program.

The International Federation of Journalists meanwhile called the detention of journalists and the spread of unfounded allegations against them “highly concerning.”

“Police must ensure the safety of journalists in the field and protect press freedom. The IFJ calls on the authorities to immediately drop all charges against the journalists,” it said in a statement.

PNP’s dismissive attitude ‘disturbing’

Human Rights Watch meanwhile said that Danao sought to undermine the credibility of journalists by practically accusing them of participating in the event.

“Lt. Gen Danao should recognize that freedom of the press means reporters should be able to go where they need to in order to cover the story they are working on,” said Phil Robertson, deputy director of HRW’s Asia division.

“What is particularly disturbing is Lt. Gen. Danao’s dismissive attitude towards the rights of Filipinos to hold a peaceful public assembly, and his threats to violently disperse them”” he added, noting that this kind of confrontational and aggressive police attitude is uncalled for.

The eleven journalists and others arrested in Concepcion were released on bail on Sunday and are scheduled for arraignment on Friday. 

The mass arrests led to crowdfunding efforts to raise money for the bail of journalists, activists, and farmers. — Gaea Katreena Cabic

Fil-Ams in New York denounce Marcos-Duterte in rally during Independence Day

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Balitang New York, June 6, 2022,

New York City –  Chants that denounced the incoming president and vice president of the Philippines reverberated along Madison Avenue as nearly 500 marched in the Never Forget! Contingent that rounded out the eleven block parade route along Madison Avenue in the Philippine Independence Day Celebration (PIDC) in New York City last Sunday, June 5. 

Marching behind a massive banner that read “Never Again! Continue the Fight for Genuine Democracy!” a mix of young and old – from martial law survivors in their 70’s and 80’s to Filipino youth from college and university student groups to supporters of Leni Robredo– all chanted together in unison to bring their message forward. The contingent garnered support from more than thirty organizations.

Led by Broadway and performing artists, the throng sang, “Di nyo ba naririnig? Tinig ng bayan na galit. Himig ito ng Pilipinong di muli palulupig (Don’t you hear it? It’s the voice of angry people. This is the song of the Filipino that won’t be oppressed again).” The song is a Tagalog adaptation of the Les Miserables protest anthem first performed in 2017 at the 45th commemoration of Marcos Sr.’s Martial Law at the height of Duterte’s drug war and curtailment of press freedom.

PIDC marshals attempted to prevent the contingent from participating, confronting leaders several times throughout the day, even grabbing one marcher while en route. Martial law survivors and elders holding the lead banner asserted, “Let us march!” and were joined in the chant by hundreds in the contingent and on the sidelines. “The effort to stop us from expressing the sentiments of millions of Filipinos during a celebration of Philippine independence is an omen of what lies ahead with the Marcos-Duterte administration,” said Julie Jamora of Never Forget! Coalition Steering Committee.

Resolute in their fight for genuine democracy, the contingent stood their ground and completed the parade route. Some onlookers joined from the sidelines and chanted “Never Again to Martial Law!” and “Marcos, Duterte, Walang Pinagiba! Parehong Tuta, Diktador Pasista! (There is no difference between Marcos and Duterte! They are both puppets, dictators, and fascists!)” 

At the end of the march, in front of the parade grandstand, the Never Forget! Contingent unfurled a second banner reading “Reject Marcos-Duterte!” to a cheering and supportive crowd. According to organizers, the contingent “repudiates Ferdinand Marcos Jr. and Sara Duterte because they epitomize the authoritarian, dynastic, and deceitful character of Philippine politics.”

Following the parade, the Never Forget! contingent launched a cultural show at Madison Square Park. One passerby remarked, “Thank you for doing this. My brother was killed during Marcos’ martial law. [The Marcoses] are trying to erase that history, but we can never forget.” Another passerby recounted his own experiences of detention and torture.

The wide support for the contingent’s message is an indication of the growing people’s democratic opposition to the incoming regime. The Never Forget! contingent represents a broad unity of Filipinos across the Northeast that aspire for a truly democratic Philippines. The contingent rejects the system of patronage and oligarchy plaguing Philippine politics, currently embodied in the nefarious Marcos-Duterte tandem.

Nora Aunor: National Artist

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Wilfredo Garrido, FB post

If she were born today, it is unlikely she will ever become a “superstar”.

Dark, short, with homely features, she won’t stand out among the mestizas, the perfect products of beauty pageants, the inbred kids of celebrity families who dominate today’s show business.

But in the 1960s, this innocent girl from Iriga with a golden voice burst into the scene to capture the hearts of Filipinos of all ages and classes.

She entered their consciousness in 1968 as the winner of the “Tawag ng Tangalan” that was more heard than seen, her voice filling the homes through the radio.

When she was introduced through TV and especially film, she became the brightest star in the cinematic universe.

It is difficult to describe the mania that she unleashed, with no comparison among local stars. Let’s just say, she was Sharon, Regine, Sarah Geronimo and Kathryn Bernardo rolled into one.

Nick Joaquin, the foremost journalist and cultural observer of the time had this to say:

“Nora Aunor has broken the color line in Philippine movies, where the rule used to be that heroines must be fair of skin and chiseled of profile. Though neither fair nor statuesque, Nora has bloomed into a beauty and all the more fascinating because it’s not standard. Seen up close, her complexion shows fine gold tints, her features reveal a delicacy of outline, and her large liquid eyes are lovely.”

Sad to say, that standard of beauty lived and died with her, specifically in the prime of her youth, for she is not seen in the same light today.

Her albums and her films were hits, her concerts were filled to the rafters and her television show “Superstar” was as staple as rice in every Filipino home.

She was so rich she could buy houses in the enclaves of the rich and famous and was just as quick to sell them as if changing shoes.

From a humble flat in Natib, Quezon City, she later moved to mansions in La Vista, Greenhills, White Plains, Balete Drive and Corinthian Gardens, to name a few. Then later in life to a descending series of townhomes and condo units. But there was more to her buying and selling than you think – which I will get into later.

When her singing career suffered hiccups because of the rise of decidedly more talented singers – Celeste, Kuh, Claire, Zsa Zsa  – she got serious with her film career.

While before she was content with appearing in teeny weeny films paired with the likes of Tirso Cruz III and Cocoy Laurel, which raked in money but no acting awards, she starred in such classics as “Tatlong Taong Walang Diyos,” 1976, directed by Mario O’Hara. “Minsa’y Isang Gamu-Gamo,” 1976, Lupita Concio. “Ikaw Ay Akin,” 1978, Ishmael Bernal. “Bona,” 1980, Lino Brocka. And the biggest of all, “Himala,” 1982 by Ishmael Bernal. It is the only Filipino film in CNN’s 10 best Asian films of all time. Also won the 1983 Bronze Hugo Prize at the Chicago Int’l filmfest.

They didn’t rake in as much money as her teenage films but they secured her place in local and international film history.

All told, she has won some 66 acting awards.

She fell into hard times because she ceased to be attractive to the general Filipino audience, especially the bakya crowd where she used to make the most money and because her singing career took a deep dive, coming to an abrupt end through a botched throat surgery which robbed her of her singing voice. She is a “superstar” in name only.

A string of difficult romantic entanglements also soured her life and career, beginning with her doomed marriage to Christopher de Leon, rumored flings with married politicians, including Erap and a tumultuous relationship with a lesbian. It didn’t help that she also fell into the rabbit hole of drug and alcohol abuse, which twice spoiled her chances of being awarded the National Artist honors under two presidents, in 2014 and 2018 – and from which nadir she is slowly picking herself up, by the bootstraps.

She shouldn’t be defined by her vices and personal tragedies. Not by her meteoric rise to fame  but by her dedication to her craft during her maturity. Her acting. Her films.

Which brings us back to her selling a series of residences. No, she wasn’t into flipping houses. She was actually raising money to produce her films, without which efforts we wouldn’t have seen some of her award-winning films.

“Hindi alam ng mga tao na ’pag ako lumilipat ng bahay, laging may magandang dahilan,” she explained. “Kesehodang mawalan ako ng pera, basta makapag-produce ako ng matinong pelikula.”

That is how devoted she is to her art. That is why she very much deserves the National Artist Award for Film.

Congratulations, Ate Guy!

Film community celebrates 3 ‘historic’ new National Artists for Film

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Nathalie Tomada – The Philippine Star, June 13, 2022

MANILA, Philippines — The film community has celebrated the recent announcement of three “historic” National Artists for Film and Broadcast Arts. Actress Nora Aunor, screenwriter Ricardo “Ricky” Lee and the late director Marilou Diaz-Abaya were named new recipients of the highest national honor given to Filipinos who have made distinct contributions to Philippine arts.

The Film Development Council of the Philippines (FDCP) said that the Presidential Proclamation of National Artists for 2022 serves as a victory for Philippine Cinema and gave the film sector a number of firsts. Lee is the first scriptwriter, Diaz-Abaya the first female director, and Nora Aunor the first female actor to be inducted to the Order of National Artists.

Upon the joint recommendation of the Cultural Center of the Philippines (CCP) and the National Commission of the Culture and the Arts (NCCA), Malacañang also declared on Friday night five other National Artists, namely, Agnes Locsin for Dance, Salvacion Lim-Higgins for Design (Fashion), Gemino Abad for Literature, Fides Cuyugan-Asensio for Music and Antonio “Tony” Mabesa for Theater.

Diaz-Abaya was cited posthumously for forming part of the country’s “Second Golden Age of Cinema” via TV and film works like Brutal, Moral, Muro-Ami and Jose Rizal, that “probe human experiences drawn from social conflicts among characters of contradictory beliefs and value systems.”

Aunor — Nora Cabaltera Villamayor in real life — was recognized for her depiction of “Filipinos’ everyday realities and aspirations in some of the most important Filipino films” such as Himala, Tatlong Taong Walang Diyos, Minsa’y Isang Gamu-gamo and The Flor Contemplacion Story.

Lee, on the other hand, was awarded for being a prolific screenwriter for film and TV, playwright and fictionist, who penned iconic works that became part of the “Second Golden Age of Philippine Cinema.” He’s known to have written over a hundred films, including such classics as The Flor Contemplacion Story, Anak, Moral, Karnal, Sa Kuko ng Agila and Himala (his celebrated movie starring Aunor, which incidentally is marking its 40th year).

In a statement sent to The STAR, Lee said he felt both honored and humbled by the award. “Honored because it is in a way an affirmation that I have been doing something of service to others and humbled because I know that I should do more, write more,” he added.

Aunor, on the other hand, thanked people who fought for her inclusion. The veteran actress was left out in previous selections — in 2014 and 2018 — due to supposed links to drug issues.

“Wala pa akong maisip na sasabihin ko sa ngayon dahil sa labis na kasiyahan sa aking puso at para po sa ating lahat. Sa mga taong nanalangin po at nakipaglaban hanggang sa huli para maibigay sa akin ang kanilang pinangarap na ako’y mahirang na isang National Artist for Film.

“Higit po sa lahat, walang katapusang pasasalamat sa ating Panginoon, sa MAMA at PAPA ko, sa aking pamilya at mga anak, lalo na sa mga pinakamamahal kong mga fans at mga taong nasa tabi ko sa oras na kailangan ko sila mula noon hanggang ngayon.

“Maraming salamat po sa ating mahal na Pangulo na si President Rodrigo Duterte at mga taong nasa likod ng napakataas na karangalang ito,” she ended her media statement.

Meanwhile, members of the film community, including the Directors’ Guild of the Philippines, Inc. (DGPI), have called the declaration a “truly historic milestone for Philippine cinema.”

DGPI president Paolo Villaluna told The STAR that the three icons, whose “individual body of work has impacted Philippine cinema and changed its very fabric,” are “truly deserving” of the honor.

He noted that Aunor and Diaz-Abaya being honorees highlighted the evolution of the award-giving body itself as “prior to this, selection of National Artists for Film and Broadcast Arts was limited to directors and male recipients.”

“The acknowledgement of director Marilou Diaz-Abaya and Ms. Nora Aunor, whose contributions to cinema stand shoulder-to-shoulder with their male counterparts, disabuses the notion that Philippine Cinema is a boy’s club,” Villaluna added.

As for Lee as National Artist, the filmmaker said that while “canonically, we’ve attributed the ‘Second Golden Age of Philippine Cinema’ to its films and directors… His win is a reminder that cinema isn’t just for directors.”

FDCP chair and CEO Liza Dino also hailed the proclamation of three National Artists for Film as “inspiring news for all of us in the industry.”

“Though we all work hard here for the love of the craft, for the upliftment of film workers in the Philippines, or just to have a means of livelihood — this affirmation is a boost to the morale of the film sector who has been recovering not just from the economic ravages of the pandemic, but also from the years of neglect. We, as a sector, are being seen,” she further said.

The selection goes through a tedious process of three rounds, which starts with a nomination based on life’s work and endorsements. All rounds involve a panel of experts, including peers from each discipline, with the third one featuring a voting panel that consists of the joint boards of the CCP and the NCCA board, plus all the living National Artists.

According to the NCCA website, recipients are entitled to the following privileges: the rank and title of National Artist; gold-plated medallion minted by the Bangko Sentral ng Pilipinas (BSP) and citation; and a lifetime emolument and material and physical benefits comparable in value to those received by the highest officers of the land.

Journalism’s challenge

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Philippine Daily Inquirer /June 08, 2022

Everywhere around the world, journalists’ traditional role as gatekeepers of truth is being challenged.

This challenge comes from a trend of decentralization, which is seeing more and more information, factual or not, disseminated to audiences at ever-increasing speeds and through ever-multiplying channels that grow in number faster than media practitioners can keep up with.

Where there once was a near unified flow of news from various outlets that subscribe to norms of professional conduct, there is now a cacophony of voices and images going in all directions catering to — and amplifying — every cognitive bias that every individual news consumer has.

And where the mainstream media once controlled public narrative, the power has shifted toward purveyors of information on the internet in general, and social media in particular. Most of these people are armed with nothing more than an opinion and a mobile phone, but have succeeded in growing their following and reaching audiences to a level that rivals or even surpasses many of their counterparts who are schooled and trained in journalism.

These disseminators of information on social media have become, in a way, formidable.

Given this landscape, last week’s announcement by Press Secretary-designate Trixie Cruz-Angeles that the incoming administration of President-elect Ferdinand “Bongbong” Marcos Jr. will prioritize the accreditation of “vloggers” (a portmanteau of “video bloggers’’ who publish their output on personal social media channels and websites) understandably raised the hackles of traditional media practitioners who have, in recent years, been finding the professional space rapidly shrinking from under their feet.

To be sure, it is the prerogative of every administration to choose the methods by which they will convey important government policy to the public. There is some merit to the complaint of every sitting president that the media tends to focus on negative news while neglecting the equally important task of relaying positive developments to the public. Part of the traditional media’s important role in a society is to act as the watchdog against government corruption and abuse of power, but populist leaders have regarded the media as “enemy” because of critical reporting.

In the interest of attracting a wider audience, many media practitioners have fallen victim to a cycle of scandal inflation, competing to publish the next scoop about the next controversy — preferably bigger than the previous one — thus helping make the audience blasé to bad news. Most importantly, it cannot be denied that some members of the traditional media have abused the position entrusted to them by the public as gatekeepers of information.

But there are inherent dangers in this proposed accommodation of vloggers, bloggers, and so-called influencers by the Palace. Most of them lack the rigorous discipline, training, and experience necessary to become impartial conduits of information. Moreover, most vloggers produce content to earn huge revenues, while professional journalists are paid their salaries by their news organizations after complying with the rules and norms of the profession.

The dangers are especially acute when vloggers are elevated to a position of influence that will allow them to relay government policy straight from the source (in the guise of news coverage) without the benefit of training and skills that journalists have in terms of vetting information, digging deeper and wider to get to the truth, and contextualizing or helping the people make sense of what’s happening around them.

The ideal situation would be for the presidential palace to give equal access to journalists and its preferred bloggers, vloggers, and influencers, rather than prioritize the latter over the duly accredited reporters covering the Palace, as the incoming president’s team has done during the recently concluded election campaign.

Bloggers, vloggers, and influencers have every right to have direct access to the President and key public officials to be able to disseminate information to their audiences. So do journalists. Let their output be made equally for audiences to consume and to decide — through a painful process of trial and error over time — whom to trust more.

The current landscape is a challenge for all practitioners of journalism to address the shortcomings of their profession, real or perceived, while sharpening their skills in delivering the news accurately, rapidly, and impartially to the public. In an age when disinformation and fake news often have more currency than the truth, and when the government itself seeks to undermine freedom and democracy, the traditional media must continue to persevere to keep the public better informed.

Winning back the audience to go to credible sources of information is the ultimate test that Filipino journalists face in these difficult times.

Pleading for food is a right: Court clears QC urban poor of quarantine lapses

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Jun 7, 2022, Lian Buan

‘The accused were acting within their rights when they went outside of their respective residences to plea for food,’ says QC Metropolitan Trial Court Branch 38 of the San Roque 21

MANILA, Philippines – After two years of trial, a Quezon City court cleared 21 residents of an urban poor community in Barangay San Roque of quarantine violation charges, as it ruled that pleading for food during the height of pandemic lockdown was “within their rights.”

“The accused were acting within their rights when they went outside of their respective residences to plea for food. Therefore, the police officers, at the time they confronted the accused and under the circumstances established in this case, cannot compel the latter to obey their directive to go home,” QC Metropolitan Trial Court (MeTC) Branch 38 Judge John Boomsri Sy Rodolfo said in an order dated June 6 but received by lawyers of the so-called San Roque 21 on Tuesday, June 7.

The urban poor residents were arrested in April 2020 after a violent dispersal of a protest for food aid in the height of a lockdown on Metro Manila due to the COVID-19 pandemic. They were arrested, jailed for five days, and charged for violating quarantine for being outside of their homes.

The laws used to charge them were Republic Act No. 11332, or what has been called a “broad” law against non-cooperation in a public health emergency; BP 880 that bans illegal assembly; and Article 151 that bans disobedience to authorities.

The judge junked the case on demurrer, meaning an outright dismissal without requiring the defense to present their evidence. Still, the case took two years, and the San Roque 21 endured trial even when other similar cases were being junked by different courts and prosecutors because of the law being broad.

The use of the law was a directive of the Department of Justice.

President Rodrigo Duterte was miffed by the San Roque rally to the point of saying “shoot them dead,” referring to anyone who would disobey law enforcers implementing quarantine prohibitions.

Strangers, including celebrities, pitched in so that the residents could post P15,000 bail each. The bail money was ordered returned.

“Let this case not be remembered for the inhumanity of the Duterte administration’s grossly disproportionate and incongruent response to a public health problem; let it stand testament to the enduring spirit of bayanihan in each one of us,” said the lawyers of San Roque 21.

They also said: “Political repression always thrives on fear and sheer might. But with the law in our favor, the people should always have the right to reason and resist. The decision by the Quezon City Metropolitan Trial Court Branch 38 gives us faith in the courts to correct grave inequities.”

The thorn of RA 11332

The judge did not go into a full explanation of what acts are supposed to be covered by RA 11332. A young law, passed by Duterte only in 2018 to authorize the health secretary to declare epidemics, RA 11332 was used for various protocol lapses under the clause “non-cooperation.” Cases eventually failed as in the case of Senator Koko Pimentel who went to the hospital to accompany his wife even while still awaiting the results of his COVID-19 test. He later learned he was positive while he was already inside the hospital.

For the San Roque 21, the judge said: “While others simply lined up in groceries and supermarkets to get food during Enhanced Community Quarantine (ECQ), the accused in these cases, unfortunately were constrained to publicly plea and beg for food. Clearly, the accused’s attempt and effort to secure food at the start of the ECQ is not covered by Section 9(e) of RA 11332.”

Charges of violating the law on public assembly, and disobedience to authorities were also junked, because “the prosecution’s evidence failed to establish that any of the accused herein actually engaged in violent acts during the rally,” the judge said.

That there was even a trial in the first place – more so lasted two years – was also a form of injustice, according to netizens on Twitter. The social media platform was instrumental in pooling finances to pay the bail of the San Roque 21. – Rappler.com

New kid in the House Makabayan bloc

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At 27, Manuel one of the youngest in 19th Congress

By: Nestor P. Burgos Jr. – Reporter / @nestorburgosINQ, Philippine Daily Inquirer /June 05, 2022

ILOILO CITY, Iloilo, Philippines — Since he was a boy, Raoul Danniel Manuel has been fascinated with numbers, patterns, problem solving and logic.

“When I encounter problems and difficulties, I don’t easily give up. Math teaches us to be patient. That’s why math is exciting for me,” said Manuel, an applied mathematics student who made history at the University of the Philippines (UP) Visayas in 2015 when he was the first to graduate summa cum laude from that campus.

He had a general weighted average of 1.099, higher than the 1.2 cutoff for the highest academic honor at the university.

Manuel’s perseverance in school will be a big plus for him when he joins the 19th Congress as representative of Kabataan.

The progressive party list group won a seat after garnering more than 530,700 votes, more than double the 194,970 votes it won in the 2019 mid-term elections.

Kabataan ranked 14th among the 55 party list groups that will take part in the next Congress. At 27, Manuel will be one of its youngest lawmakers.

Cheerleader, regent

The oldest of five children from a humble family at Barangay Sto. Niño Sur in Iloilo City’s Arevalo District, Manuel became familiar at an early age with issues affecting farmers and workers.

When he was in grade school, his father left the country to work abroad while his mother sold beauty products to provide for the family.

As the family’s income was just enough for its basic needs, Manuel said it was a challenge for him to continue his studies, being the eldest child at that.

But he excelled throughout his schooling, earning praise from teachers and schoolmates.

Manuel graduated valedictorian in elementary at SPED Integrated School for Exceptional Children in 2007 and in high school at UP Iloilo in 2011.

Unlike other academic achievers, he was also active in social and extracurricular events, even becoming a cheerleader at UP Iloilo’s annual sportsfests.

He was elected national president of the Katipunan ng Sangguniang Mag-aaral sa UP, the university’s organization of student councils from its different campuses, then member of the UP Board of Regents.

‘For the greater good’

He went on to become president of the National Union of Students of the Philippines, the alliance of student councils nationwide.

Manuel said “I never wanted to be a member of Congress … because I know how rotten traditional politics can be.”

“But as a member of the progressive bloc, I will help advance the interest of the youth and people in whatever venue or opportunity available,” he said in a telephone interview on Monday.

With his impressive scholastic record, Manuel could have easily gotten a top-paying job in the government or private sector.

But even as a student, “I told myself that I should be where I can maximize my skills for the greater good,” he said.

Red-tagged

Manuel has been involved in the campaign for free higher education as well as in other social issues.As an activist, he said he has experienced being Red-tagged.

In March, he posted a call for justice for volunteer indigenous (“lumad”) teacher Chad Booc, a cum laude graduate of computer science at UP Diliman who was among those killed in an alleged encounter on Feb. 24 between soldiers and communist rebels in New Bataan, Davao de Oro.

Replying to his post, a commenter using the Facebook account “DC Sliv” said “Susunod ka na (You are next), Raoul, Bye in advance.”

According to Manuel, the account was later traced to a Navy officer.

Laws for marginalized

Despite the Red-tagging, the incoming legislator said Kabataan as well as ACT Teachers and Gabriela will continue to push for laws for the marginalized.

The three party list groups are what remains of the Makabayan bloc in the House of Representatives, from four in the outgoing 18th Congress.

But Manuel said he is undeterred by this fewer representation of progressive groups, after Bayan Muna and Anakpawis failed to secure seats in the House.

‘New politics’

“Bayan Muna and Anakpawis were the main targets of vicious campaigns of Red-tagging, harassment, attacks against its leaders and members, disinformation and what we believe was vote-shaving. [But] this will not stop us from pursuing our new politics,” he said, adding that this has become more urgent under the incoming administration of President-elect Ferdinand Marcos Jr.

He counts as part of his legislative agenda the safe reopening of schools, assistance to students affected by the COVID-19 pandemic, an end to labor contractualization and legislation that would help promote more jobs.

The votes won by Kabataan have shown “that the youth are standing up and fighting back against Red-tagging and other attacks,” Manuel said.